Whether it’s a pull quote, the preview feature on Amazon, or sites where you can read up to 20% of the book for free (I enabled the highest setting, because I have confidence people will want to find out what happens next), sharing is caring and I was delighted to see a reader share a bit of dialogue that caught her fancy via a Kindle feature. Go ahead and look. Maybe share something you liked, too.
I also will be sharing samples now and then that don’t spoil the stories. Humor in my books is one of the thing I really pride myself on and I as shocked to notice my posts so far haven’t been very specific about that. The characters both are deliberately witty, with sparkling banter or biting wit when it fits, and sometimes… well, there may be moments where Raf seems more like Buster Keaton than David Niven. Frankly, I think it makes him easy to relate to.
“Forever’s Too Long” just got its third 5-star review:
June 16, 2019
June 6, 2019
May 31, 2019
Come and check it out for yourself. You won’t be sorry.
So, one of the first things I often hear from people when they hear I have a book coming out is, “Who’s your publisher?”
There’s long been a stigma to self-publishing, and until recently, it was deserved. A writer had to buy a few thousand copies to get it printed at reasonable rates and generally did so as a pet project. Anyone who wanted to reach a wide audience and to possibly make money had to find a publisher who thought their work was high enough quality to invest in. It would go through rounds of editing before ever going to the shops. A real publisher meant the writer had talent. Self-publishing just meant they had money.
That was then. This is now. Everyone knows there have been radical changes in how books are sold.There are many formats besides paper. Bookstore chains have collapsed or moved to online only. Publishing houses rise and fall, to the point where there are few one has heard of. But more has happened behind the scenes. Publishers tend not to invest in writers who aren’t celebrities. Instead, even authors who have turned a modest profit on multiple books are asked to shoulder the burden of “typesetting fees”. The manuscript is rarely put through an editing process. What most publishers look for is one thing: marketability. They are looking for a trendy subject, a sexy concept, and work that fits neatly into a hot genre or niche market.
Allan and I worked together on his first project to create something ended up combining thriller, paranormal investigation, police procedural,science fiction, horror, and strongly featured a lesbian couple. It didn’t fit neatly into a genre and as Allan researched the market and the experience of other writers, he realized how much things had changed.
With print on demand technology, works can be published with little more investment than the blood, sweat, and tears of the writer. Not relying on a publisher who doesn’t want to pay an editor to proofread the material, error checking is done by volunteers, and by several read-throughs by the author who is deeply committed to putting out a quality product. A publisher wants to sell a book and if the reader is dissatisfied, it means little. You’ll buy another author next time. The writer, on the other hand, has to deliver great work if they want readers to love their book and look for more by them.
In short, I don’t believe publishers care as much about quality as marketing at this point. And while anyone can self-publish a book these days, it’s not a warning sign that it was unpublishable by other means, because print-on-demand is great for giving an author more control, a greater profit share, and a way to reach a large audience, hence it is the first choice rather than last resort. Allan and I have chosen this route and advise others to do the same.
Interestingly, the publishing houses track print-on-demand sales. If an author makes themselves into hot property, then they may be offered a favorable contract that will help them get into more brick-and-mortar stores. Ultimately– the fate of writers is in the hands of the readers. Thank you for thinking of me!
These days, books as well as movies are often advertised with trailers that use images and sound to give you an idea of the flavor of the book, as well as sharing information about genre, storyline, and availability.
Allan Krummenacker was a huge help with this, doing the actual production based on music and images I chose, and a few finds of his own, but I especially like his vocal work– since the book is almost entirely first person narration, I decided to script the trailer that way, so he’s giving the voice of Rafael Jones.
*And remember the book will be available on June 1st, but you can still pre-order an e-copy at the following links:
Also there will be signed trade paperback copies available upon request. Simply leave a comment in the section below, or e-mail me at:
Welcome to the first solo novel of Helen Krummenacker, co-author of the Para-Earth Series.
Adventure, humor, film noir and dark urban fantasy blend in a unique vision that will appeal to fans of Harry Dresden or Marvel’s Horror Comics….
Enter the world of The Forever Detective Series…
Raphael Jones’ love of adventure took him into police work, military service, and finally a career as a private eye. But when his first couple of cases combine to drop him into deep trouble, can his sense of adventures survive? For that matter, can he? A practical man with a kind heart, he never expected to encounter supernatural evil threatening the people he cars about.
“I was reading along enjoying the Raymond Chandler vibe and suddenly WHAM! Night Stalker!” – author Danarra Ban
Available June 1st, 2019 in for all e-books (Kindle, Nook, Kobo, Apple, PDF, etc.) and trade paperback!
Reserve your e-copy now at: